Commitments Review

Commitments
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Derek and Sabrina were made for each other. She is a loving, caring woman with a cold uncaring husband and a mentally and physically retarded child who she loves with all her heart. Her husband, Nicholas, refuses to acknowledge that Nicky, his son, is retarded and spends very little time with him.
Derek and Sabrina meet when Derek seeks her out for a story he is doing on mentally children, but she does not want to be in the story; however, they just seem to click together.
Circumstances happen and Derek is incarcerated for killing a man. He argues it was self defense but someone wants him dead so he is found guilty. Sabrina visits him in prison and a relationship develops. Nicholas finally asks Sabrina for a divorce which causes she and Derek to grow closer.
This is a very good story but to give out much more would be to give up the plot. It's a warm story and I could not put it down until I had read all of it. Ms. Delinsky is one of the best.

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If You Knew Suzy: A Mother, a Daughter, a Reporter's Notebook Review

If You Knew Suzy: A Mother, a Daughter, a Reporter's Notebook
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I have been a fan of Katherine Rosman's journalistic work for a long time, always appreciating the personal investment she brought to objective writing. This book is the very best of both - a journalistic look at the most personal story in her life: the illness and loss of her mother, and the way her family responded to it. It's sad and funny and unflinchingly honest, and I think every woman will relate to it. As Katie unwraps the mysteries of her mom's life, she is able to see herself and her unusual family dynamics in a mature and idiosyncratic new light. I feel like I did know Suzy in all her daughter-loving, Pilates-teaching, Ebay-hunting beauty.
This book speaks intensely about how tough it is to navigate the difficult decisions a family has to make when faced with life and death medical issues. And it tells the stories of some of those people who show up out of nowhere when times get tough to make life a little more angelic for everyone around them. Mother's Day is coming up and this is the perfect gift for any girl to share with her mom - a reminder that there's more to a mom than her life as a mother, and to appreciate for the perfectly imperfect time you have with each other.

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Faced with the loss of her mother, Suzy, to cancer at sixty, Wall Street Journal reporter Katherine Rosman longs to find answers to the questions that we all wrestle with after losing someone we love. So she does what she does best: she opens her notebook and starts investigating.

Thumbing through her late mother's address book, Rosman begins to discover a woman whose life was intricately connected to a host of characters her daughter hardly knew. Her reporting skills at the ready, she embarks on a cross-country odyssey, tracking down total strangers from whom she hopes to learn about a woman she once thought she couldn't know better. Venturing into the heart of some colorful communities, Rosman interviews friends and acquaintances of her mother's, as well as people whose relationships with her were more complex though no less potent-among them a former golf caddie, a legendary Pilates instructor, an eBay glass collector, and an immigrant doctor at Memorial Sloan-Kettering Cancer Center. As Rosman attempts to fill in the blank spaces that may explain her mother's motivations and philosophies in building a life and in facing death, she comes to understand this woman as she never imagined she could.

Blending humor, honesty, and old-fashioned reporting, Rosman grapples with the bittersweet reality that sometimes we can't truly know someone until after she is gone. At once comforting, candid, and very funny, If You Knew Suzy is a heartfelt memoir against which readers can consider themselves and the lives of all those they love.


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The Golden West: Hollywood Stories Review

The Golden West: Hollywood Stories
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John Updike provides the introduction to The Golden West: Hollywood Stories, a blend of autobiography and an account of writing for the movies. It was 1937 when nearly-thirty author Fuchs came to Hollywood to provide a play of one of his novels - a contract which would introduce him to a magical city in which he was to spend the rest of his life. Fuchs worked with some of Hollywood's best writers and actors, producing screenplays and prose: The Golden West gathers his writings about his movie business encounters from 1937-39 and again in 1989, making for an intriguing presentation by an industry insider.


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In the spring of 1937, Brooklyn's Daniel Fuchs, twenty-seven years old and already the author of three remarkable novels, came to Hollywood to bang out a treatment of one of his short stories. His thirteen-week contract turned into a permanent residence -- and a lifelong love affair with the movie business. Fuchs worked with the best: Warner and M-G-M and RKO, Wilder and Huston and Joe Pasternak, Raft and Cagney and Doris Day. He spent his days crafting screenplays, but off the lot he continued to write prose, mainly stories for Collier's and The New Yorker and non-fiction "Letters from Hollywood" for Commentary. The Golden West collects, for the first time, the best of Fuch's writings about studio life, from a novice screenwriter's anxious first impressions (1937-39) to a fifty-year veteran's mellow memoirs. Fuchs may have loved Hollywood, but his affection didn't blind him to the town's Babylon aspect: he saw life as it is, gold and! tinsel both, and described it without falling into easy sentiment or condescending laughter. He was the Chekhov of the back lot, the Bellow of the Brown Derby.

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The End: A novel Review

The End: A novel
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"The End" is an interesting book, very much worth reading. It also requires a patient reader. It is the story of one day, Assumption Day, August 15, 1953, in Elephant Park, a section of Cleveland settled by Italian immigrants. However, the narrative structure is not chronological; it moves backward and forward in time and ends with a chapter entitled "The Present Moment: 1915." The lives of characters overlap, often in ways that at first are not entirely clear. The inside flap of the cover even offers an explanation of the novel's structure by appending a passage from the novel itself: "Distant events have thrown us into long, comet-like orbits, far from our origins, bur eventually we will circle back on people whose lives preceded and gave rise to our own." The first 65 pages belong to the baker, Rocco LaGrassa, but he then disappears from the story for a long time. Two chapters are devoted to a mystery involving a jeweler. The elderly woman at the center of the book, Costanza Marini, is the most complex character, but even she cannot be fully understood until the novel's end.
Scibona's depiction of an immigrant community in flux, under pressures arising from racial conflict, changing social and cultural mores, and differences between first and second generation perspectives is lyrical, poetical. As a reader, you feel that you have been transported to times and places now lost. However, "The End" is not a book to pick up and put down too many times; if your reading is interrupted by the usual interference (work, weariness, lack of time) you may find yourself repeatedly going back a few pages to pick up the narrative thread. The effect of reading "The End" is a bit like listening to music; when you remove your bookmark and begin to read, you may have to wait a little (as you read) before you can hear the melody line again.

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