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(More customer reviews)"A Darkness More Than Night" (the title comes from a line in a novel by Raymond Chandler, who was Connelly's inspiration for becoming a writer) is Michael Connelly's 10th novel. Six of the first nine star LAPD detective Harry Bosch; one of the other three ("Blood Work") stars Terry McCaleb, a former FBI agent forced into retirement by heart disease necessitating a transplant.
Although Bosch and McCaleb had worked together before, offscreen so to speak, "Darkness" brings them together in the same novel. McCaleb is happily retired from the serial killer profiling business, making a living from chartering fishing trips around Catalina Island in Southern California, when an LA Sheriff's Dept. deputy friend of his comes to him for his help on a strange murder. (In case you are wondering, the Sheriff's Department is a county agency; it polices the unincorporated areas of Los Angeles County. Crimes within L.A. city limits fall within the jurisdiction of the LAPD.) Against his wife's wishes, McCaleb agrees to take a look. He comes across a clue that the sheriff's deputies missed the first time, and that clue leads him into a whole new area of investigation that eventually points at . . . Harry Bosch.
Some of Connelly's mysteries contain what for me were stunning twists -- "The Concrete Blonde" and "Trunk Music" come to mind. "Darkness," on the other hand, proved to be relatively easy to figure out about 100 pages before the end of the novel. Nevertheless, it's still a gripping read. Most of Connelly's books are dark and edgy, but the darkness and edginess are even more palpable in this book. McCaleb's investigation takes him (and the reader) into a very grim Renaissance age painter, the owl as a symbol of evil, and an unnervingly cocky defendant in a media circus trial.
One of the most interesting things about "Darkness" for readers who've read the Bosch novels is the glimpse of what Bosch comes across like to someone else. The encounters between McCaleb and Bosch -- not the first one, but the ones after that -- are fascinating and point to the difference between the two men: especially Bosch's "avenging angel" nature.
Another interesting thing about this book (and many of Connelly's others) is the way that he weaves in facts and characters from earlier books. Readers of "Void Moon" who wonder what happened to Cassie Black's parole officer (Thelma) find out here. It's just a throwaway paragraph, but it's a nice touch.
In summary, Connelly is a consistently good writer, and "Darkness" doesn't disappoint, even if it telegraphs the solution to the mystery a little too early. It's still satisfying to the end.
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